"The four-stroke engine is a burning motor,
a heat-power machine realizised as a piston machine, in which there is
production of warmth through the periodical burning of a petrol and air
mixture inside a cylinder, this warmth is then exchanged into mechanical
power through the movements of the pistons".1 This
exchange process happens in its periodically repeated four-stroke procedure
of "sucking - condense - kindling/burning - exhaust", in which the 3rd
tact is the working step. An energetic process of metabolism leads to a
process of transformation, which then is transferred into movement and
speed in a car. Besides within this technical aspect the principle of viertakt
can as an universal scheme and elemtary way of thinking also be found in
many other areas, like chemistry, biology, philosophy, religions and so
forth.
Just on this existential border on which
we are in these times of change from the industrial age to the digital
information age creative reflection within art is ever more asked for.
Drivable vehicles were first named motor
carriadges or power wagon. Elke Suhr, the founder of EINSTELLUNGSRAUM titled
one of her works "what did Carl Benz intend?".
Jörg Jochen Berns sees the automobility
as the reason for the human wish for selfdestined movement in his
cultural-historical essay "the arrival of the automobile from himmelstrionfo
and
hell machine"4.
1 Brockhaus, 1999
|
|