If for you the room gets extended or more enclosed by the wall work  by LUTZ KRÜGER depends very much on you. Here you are grabbed at your sensibility tolerance. Actually I do not want to tell where the art is positioned, otherwise half the fun is over. I only say there are two. The wall is subject of the picture. This sounds rather classical and the monochromaty does not have to be invented either. But Krüger asks himself, next a finely differenciated, one-colored presentation of surface, still the question of the position within the room. By the minor irritation of this seeming nothing the difference with the visible rest opens up in contemplation. By that a seeming change of a zone can lead to an intensified questioning of the non visible. Well, if this is utilized for going through the border of wall into a metaphysical room beyond this, or for stopping and viewing of the room introspectively, that is left up to you. Here also the artist is the inforcer of the impulse, the path to be taken is not given. And I think we all suspect that the speed can only be a very slow one. In the art there is possibly a possibility for freedom from slavery of the self induced hectic in time. Maybe we should learn to love more the borders of our body and instead  to let us being abducted with so much white around us into just such large ecstacywhere the room is without dimensions. 

Dear ladies and gentlemen, die cutting edge for further communication has certainly been opened up  now, because of this I will stop here in conciousness that much more could be said. I thankyou for your attention and hope you have a nice evening."